svetikya Chapter 225
Chapter 225
On Earth.
In the performance of the song "Fireworks Cool Down", the bowl is not used.
As a daily utensil, the bowl also has a certain symbolic meaning in Buddhist culture.
But it is not a regular instrument in traditional music performance.
When Sun Yunhao communicated with the program team about the music effect, he boldly incorporated the bowl as a sound element.
Create a unique sound effect and atmosphere through knocking, friction and other methods.
Through the carefully designed knocking and friction techniques, the sound it produces is unique and recognizable.
It has a simple charm and does not lose the agility of modern music.
In the prelude of "Fireworks Cool Down", the sound of the bowl does not exist in isolation.
Instead, it cleverly echoes and interweaves with other traditional folk instruments such as long flute, bamboo flute, erhu, pipa, and modern Western instruments such as piano and guitar.
These instruments together construct a multi-level and multi-dimensional music space.
The melody and harmony of the whole song are richer and fuller, and the appeal and expressiveness have been unprecedentedly improved.
It is particularly worth mentioning that the story of "Galanji" behind "Fireworks are Easy to Cool" adds more emotional resonance to this adaptation.
When the sound of the bowl echoes in the imagination of the Galan Temple.
The vicissitudes of history, the beauty of love, and the infinite recollection of the past seem to flow out with the music and hit people's hearts.
At this moment, the music and the story are perfectly integrated.
It makes people feel as if they are in that ancient and distant world, feeling the emotional resonance across time and space.
"It's a bit advanced!" Sun Man said with emotion.
At this time, the barrage:
"My goodness, Sun Yunhao is going to defy the heavens, even the bowl is on stage?"
"I like this taste, the sound of the bowl is so cleansing."
"In the Galan Temple, the sound of the bowl is heard, and the beauty has passed away. This prelude is combined with the story of "Galan Ji", and the story is very strong."
"Just for this, this song is my favorite."
"When it comes to Chinese style songs, I only recognize Sun Yunhao's, and the ones written by others are nothing."
When the prelude came to a node, Sun Yunhao opened his voice.
The first line of the lyrics appeared in everyone's ears:
"【The prosperous life escaped into the empty door and frustrated the world,
The dream is cold, and after a lifetime, there are still a few debts of love,
If you agree, life and death will wait,
Wait for circles of rings】."
When the first paragraph of the lyrics appeared, the audience at the scene were also completely intoxicated.
Anyone who likes the show "Singer" has seen the story of "Galan Ji".
Even if you haven't seen it before, it's okay.
In the pre-interview footage just now, Sun Yunhao simply recounted the story.
There are many singers who interpret music with stories.
But there are few who play it as advanced as Sun Yunhao.
"This song is probably at the level of "Blue and White Porcelain"."
In the big room behind "Singer", Ye Ying and Sun Man looked at each other, and Ye Ying said this.
Sun Man nodded and smiled and said, "Young people nowadays are so strong. We are all old and we can't refuse to admit defeat."
As evergreens in the music world, the two of them also like Chinese-style songs very much.
But at the same time, they also know how difficult Chinese-style songs are to write.
So far, except for the one written by Sun Yunhao, there has been no Chinese-style song with a good reputation in the music world!
In this field, Sun Yunhao is the absolute ruler!
No matter who creates songs in this field in the future, they will inevitably be compared with Sun Yunhao's songs.
No one wants the songs they write to be called rubbish.
This is probably the reason why many creators dare not try in this field for a long time.
Or, the songs have been written, but they dare not release them.
Every Chinese style song of Sun Yunhao is like a mountain, and it is difficult to surpass it.
At this time, the two members of the F.I.R band who were waiting behind the stage looked at each other.
They saw helplessness in each other's eyes.
It's not easy to come to "Singer", and they don't want to be eliminated in the first round.
But facing Sun Yunhao, this monster, they really feel that they can't beat him.
On the stage, Sun Yunhao's singing continued:
"[The pagoda, several floors broken, whose soul was broken,
Pain ran straight, a broken lamp, a collapsed mountain gate,
Let me wait a little longer, history turns around,
Wait for the wine to be mellow, wait for you to play a zither song]."
These four lines of lyrics are more ancient than the previous ones, full of classical charm and profound emotions.
If you close your eyes and listenBased on the story of "Galan Ji", these lyrics can instantly construct a picture in the mind that is both desolate and full of expectations.
From the perspective of singing, Sun Yunhao is as steady as an old dog when he sings this.
If love songs are the comfort zone of Wang Long, Li Yushuang and others.
Then the Chinese style is undoubtedly the comfort zone of Sun Yunhao.
Although Sun Yunhao does not agree with this statement, many music critics think so.
Who makes him the pioneer of the Chinese style.
"[Rain falls, the grass and trees are deep in the old hometown,
I heard that you are always alone
...
What echoes on the stone slab is, wait again
...
The fate is that we]."
As the chorus slowly rises, the entire scene and the live broadcast room seem to be pulled by a mysterious force.
Time seems to freeze at this moment, and the space is filled with ancient and profound pictures.
The sad erhu melody is like a messenger traveling through time and space.
With its unique sadness and passion, it instantly captured everyone's eyes and ears.
Leading their hearts to a distant and ancient place.
On the stage, Sun Yunhao's figure merged with the music.
Every move and every look of his was full of affection and devotion.
It was as if he was the man in the song who had experienced vicissitudes and was looking for old dreams.
His singing, like the wind blowing gently in the ancient city, carried the traces of time, as well as endless thoughts and memories of the past.
There was silence in the audience below.
Only the occasional slight breathing sound, intertwined with the melodious and affectionate music on the stage, formed a moving picture.
People did not dare to breathe loudly, for fear that their small actions would break this rare tranquility and beauty.
They just sat quietly, letting their hearts drift to the distant ancient city with the music, feeling the stories carried by every brick and stone and every fallen leaf there.
Many people began to shake their bodies gently, which was an involuntary reaction.
It was the resonance and release of their deep emotions for this song.
They seemed to be in the ancient city street blocked by broken old walls, saw the mottled Buddha in the hall, and felt the loneliness and solitude that transcended time and space.
In the live broadcast room, the audience was already going wild.